FROM MY STUDIO

 works available from my studio



"pequena"
60cmx50cm - oil, charcoal and acrylic on canvas
ZAR 45 000


reserved
"relic"
60cmx50cm - oil, charcoal and acrylic on canvas
ZAR 45 000


"retrato del viento"
80cmx80cm - oil, charcoal and acrylic on canvas
ZAR 60 000


"lucky"
100cmx100cm - oil and acrylic on canvas
ZAR80 000


"santa"
100cm x 50cm - oil, charcoal and acrylic on canvas
ZAR 65 000

"meditar"
100cm x 50cm - oil, charcoal and acrylic on canvas
ZAR 65 000




























NEW WORKS ON PAPER - available from my studio - charcoal, acrylic, ink and oils on paper - A2 size experimental and planning sketches for possible bigger works of art on canvas. For more info and availability please mail me at solsmook@gmail.com.

-currently available-

WOP45 - Mar26 - A2 size - pencil, ink, charcoal and acrylic on Fabriano paper
ZAR 10 000


WOP44 - Mar26 - A2 size - pencil, ink, charcoal and acrylic on Fabriano paper
ZAR 10 000

WOP42 - Mar26 - A2 size - pencil, ink, charcoal and acrylic on Fabriano paper
ZAR 10 000


WOP40 - Mar26 - A2 size - pencil, ink, charcoal and acrylic on Fabriano paper
ZAR 10 000


WOP35 - Jan26 - A2 size - pencil, ink, charcoal and acrylic on paper
ZAR 10 000


WOP34 - Jan26 - A2 size - pencil, ink, charcoal and acrylic on paper
ZAR 10 000







A WRITING ....

 In your works I have often seen, particularly in the eyes, a quiet, even never-spoken of longing, a search, a quest, to accurately perceive, discern and meekly receive, within, as one left with no remaining alternative, an external visitation, an impartation, a help, an enveloping beauty of some total, sacrificial spiritual kind of saving, from someone able, another, not one of us, not entirely, yet still us, completely, far more perfect than you could conceive, an outreach, an outstretch, a reply, that includes an irrepressibly sustained, gradual, ever steady, never retreating, redeeming fabrication of that part which firstly matters, which truly matters - the invisible spiritual vessel adrift, but reveals as well an additional concern, and, so that his patient, pure, loving, humble, servant posture towards her is truly encompassing, and so as to gather up everything strewn and scattered, a restoring, a re-beautifying of her mortal physical vessel too, which though, for now, must return to the original dust, once first drawn up to sculpt, marrying powder with liquid, giving a spirit form, yet she will in the end escape that impending corruption, that engulfing chokehold, that inescapable woe of death, and be restored utterly, forever, in an eternal, ever-new life, with darkness discarded, and in unrelenting, realized, immortal hope only, to a glorified, incorruptible, unimaginably magnificent form far outshining even the most  gorgeous icon in the original earthly pattern could ever venture to generate from mere soil.

Now you paint the physical vessel but discernable and attempting to radiate through your sweep of brush and color, is the occupying spiritual vessel, especially and frequently evident in and focused through ineffable eyes.

Ashton James Gardner