FROM MY STUDIO

 new works available from my studio

I am currently experimenting with a new style and technique. Slightly more abstract, losing the expected detail and transferring the storyline towards the viewer. I aim to exhibit a series of these works later in '26 - showcasing them to the public for the first time


"Bella" - 60cmx60cm - oil on canvas - 2026 - ZAR 50 000



"Finn" - 60cmx60cm - oil on canvas - 2026 - ZAR 50 000











  pre-2026 works available from my studio


"lucky"
100cmx100cm - oil and acrylic on canvas
ZAR80 000
































NEW WORKS ON PAPER - currently available from my studio - A2 size experimental and planning sketches for possible bigger works of art on canvas.

-currently available-

RESERVED
WOP50 - April26 - A2 size Fabriano - charcoal and acrylic
ZAR 10 000

RESERVED
WOP49 - April26 - A2 size Fabriano - charcoal and acrylic
ZAR 10 000

SOLD
WOP48 - April26 - A2 size Fabriano - charcoal and acrylic
ZAR 10 000

WOP47 - April26 - A2 size Fabriano - charcoal and acrylic
ZAR 10 000

SOLD
WOP46 - April26 - A2 size Fabriano - charcoal and acrylic
ZAR 10 000

WOP45 - Mar26 - A2 size - pencil, ink, charcoal and acrylic on Fabriano paper
ZAR 10 000


WOP44 - Mar26 - A2 size - pencil, ink, charcoal and acrylic on Fabriano paper
ZAR 10 000

WOP42 - Mar26 - A2 size - pencil, ink, charcoal and acrylic on Fabriano paper
ZAR 10 000


reserved
WOP40 - Mar26 - A2 size - pencil, ink, charcoal and acrylic on Fabriano paper
ZAR 10 000











A WRITING ....

 In your works I have often seen, particularly in the eyes, a quiet, even never-spoken of longing, a search, a quest, to accurately perceive, discern and meekly receive, within, as one left with no remaining alternative, an external visitation, an impartation, a help, an enveloping beauty of some total, sacrificial spiritual kind of saving, from someone able, another, not one of us, not entirely, yet still us, completely, far more perfect than you could conceive, an outreach, an outstretch, a reply, that includes an irrepressibly sustained, gradual, ever steady, never retreating, redeeming fabrication of that part which firstly matters, which truly matters - the invisible spiritual vessel adrift, but reveals as well an additional concern, and, so that his patient, pure, loving, humble, servant posture towards her is truly encompassing, and so as to gather up everything strewn and scattered, a restoring, a re-beautifying of her mortal physical vessel too, which though, for now, must return to the original dust, once first drawn up to sculpt, marrying powder with liquid, giving a spirit form, yet she will in the end escape that impending corruption, that engulfing chokehold, that inescapable woe of death, and be restored utterly, forever, in an eternal, ever-new life, with darkness discarded, and in unrelenting, realized, immortal hope only, to a glorified, incorruptible, unimaginably magnificent form far outshining even the most  gorgeous icon in the original earthly pattern could ever venture to generate from mere soil.

Now you paint the physical vessel but discernable and attempting to radiate through your sweep of brush and color, is the occupying spiritual vessel, especially and frequently evident in and focused through ineffable eyes.

Ashton James Gardner